Indeed a great record. generally speaking it sounds (the drums in
particular) like Mr. Paap is running things through a filter box of some
sort with any overdrive and/or resonance parameters/knobs being fully
tweaked:)
Have you ever played with a Sherman filterbank or a Waldorf filter:) You
can run something as simple as an 808 through them and come up with some
wild wild percussion. I suspect that is what is going on. I don't hear too
much software tweakage but who only knows...
ciao
Nate
NP: the CD-R Hravtski was kind enough to give me last night at his NYC
gig. Thanks Keith! I really enjoyed the show!
On Thu, 28 Oct 1999, esa ruoho wrote:
quoted 18 lines i can't believe i still haven't bought this. nicked a copy from a friend> i can't believe i still haven't bought this. nicked a copy from a friend
> for a few days, and it still sounds so damn strange.
> at the risk of upgrading my current sad trainspotterstatus, i'd still
> like to ask what people who know things thought about how these things
> came to be.
> the semi-organic sounds and the things done to the drums are rather
> strange, but brilliant. i can't place any of them or call them things
> at all. so anyone have any idea how these things were done? a billion
> effects? specialized software? a ton of samplers?
> anyway, mad, mad album.
>
>
>
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